This commercial intended for German television has it all: checkerboard patterns everywhere, transhumanism, deshumanization, mind control, alter-personalities, Marilyn Monroe (the original Monarch sex kitten), the colors white, black and red, etc.

Katy Perry’s Illuminati, MK-Ultra Commercial
By Vigilant | September 4th, 2010 | Category: Latest News | 10 comments

This commercial intended for German television has it all: checkerboard patterns everywhere, transhumanism, deshumanization, mind control, alter-personalities, Marilyn Monroe (the original Monarch sex kitten), the colors white, black and red, etc.

“We love to entertain you”. In other words, this is the kind the stuff that is supposed to entertain you.

MTV.com published an article about the ad and here’s an excerpt:

“Katy Perry comes to life, channeling a futuristic Marilyn Monroe in a red dress that mimics the iconic white one in “The Seven Year Itch.” The singer then transforms into a 1960s housewife with a polka-dot geometric dress. But with a blink of an eye, that look is gone in favor of a superhero-gone-sex-kitten look. Riding a flaring rocket that floats before a building window, Perry shoots into the city lights before doing her spokesperson drop: “We love to entertain you.”
– MTV.com, Katy Perry Goes Futuristic In ‘Teenage Dream’ German TV Spot

Did MTV actually use the term sex kitten?

ARTICLE SOURCE: Vigilant Citizen

A nice example of “predictive programming”

Last week, as the rain lashed outside, my daughter and I settled down for an afternoon of family nostalgia. The type that Walt Disney films excel at.

The kind that has given Disney a special position in our house. To us, the brand suggests a world of family values and bygone traditions. A place where, no matter the adversity faced, good WILL triumph over evil.

Disney films speak to our heart and embroider the lives of our children with a sense of security in an uncertain world.

So it was, this rain-soaked day, we laughed and cried our way through a hat trick of Disney favourites: the heart-rendingly beautiful Bambi, the gloriously regal Lion King and the eternally charming Finding Nemo.

But later, I realised something else that binds Disney films, other than good old nostalgic charm: an absence of parents.

Bambi, abandoned by his father before birth, experiences the hunting and subsequent shooting of his mummy. A tragedy that still reduces me to uncontrollable sobs four decades after I first saw it with my own mother.

That’s not all. In the Lion King, Simba is implicated in the death of his father and runs away in a vain attempt to escape his misery.

While Nemo – the rebellious fish – is the sole survivor of a violent barracuda attack on his mother and siblings and spends much of the story estranged from his father.

The realisation that these three films all drew on a parent-less theme made me reel. Surely it was only coincidence?

Apparently not. For Disney, that most child-friendly of organisations, appears to have something of a parent problem.

Since its formation in the Twenties, Disney’s output has featured a steady supply of dysfunctional and broken families.

Orphan: Mowgli in the care of Baloo in the Disney film The Jungle Book 2

Dumbo, like Bambi, still devastates audiences, as the fatherless baby elephant is separated from his mother after she is locked up for her apparent psychosis.

The moggies in the Aristocats – a personal childhood favourite – are also fatherless. Neither Ariel (The Little Mermaid) or Belle (Beauty And The Beast) have a mother.

Even more recently, fans worldwide have delighted in the final instalment of Toy Story, as Andy – the film’s main character – is raised by a single parent mother.

Not to worry, though, in the total absence of his father, Andy’s key male influence is a wooden cowboy.

And it’s not just Disney’s cartoon output that is subject to this parental peculiarity; its non-animation TV shows and movies are, too.

On Disney’s TV channel, the popular Hannah Montana – played by the precocious Miley Cyrus – learns the teenage ropes from her single parent father because her mother is AWOL.

On the big screen, The Game Plan chronicles a ten-year-old girl searching for her long-lost father after the untimely – although not entirely unpredictable – demise of her single parent mother.

And the Grammy- nominated Enchanted captures Giselle, an archetypal Disney princess, adapting to the harsh environment of New York as a motherless young girl.

By this point in my research, I was becoming increasingly disturbed by the absence of parental role models in the world of Walt Disney. And there was more.

Some Disney characters aren’t even fortunate enough to have one parent and are orphaned before the opening credits are over.

Baby Tarzan was abandoned in the jungle after the savaging of his parents by a leopard. And there’s Tod in The Fox And The Hound and Arthur in The Sword In The Stone, who are left to pursue their destinies without parents.

Fatherless: Dumbo devastates the audience when he becomes separated from his mother in the 1941 hit.

I wonder, is this distinct lack of parental care in Disney productions used for dramatic effect?

Is it there to give the main protagonist an opportunity to face their personal challenges without the guidance of a parent – or is there more to this?

Might the death of Walt Disney’s mother – and the lifelong guilt this left her son with – be the catalyst for the death of parents in Disney?

In 1938 and riding high with the proceeds from his first big screen movie Sleeping Beauty, Walt bought his mother, Flora, and his father, Elias, a house in LA as a golden wedding anniversary present.

Within days of moving in, Flora complained about the stultifying temperatures coming from the central heating boiler and her doting son arranged for a swift replacement.

Days later, Flora died from asphyxiation caused by the new, poorly-installed, boiler.

Might Walt Disney’s misplaced guilt over his mother’s death have led him to airbrush parents – mothers in particular – out of his works?

And has that motivation, after his death in 1966, become a Disney blueprint?

Certainly, it would explain the types of folk stories and fairytales that Disney has acquired for adaptation, even when there are numerous other traditional tales that feature a mother and father.

The company animated Cinderella (no mother), Snow White (no mother or father, but a wicked stepmum) and The Jungle Book (orphaned Mowgli, raised by a bear and a tiger).

But perhaps most audacious in this regard was the purchase of J.M. Barrie’s epic Peter Pan, where the boy-child not only had responsibility for a whole island of orphans (The Lost Boys) but Wendy’s parents socialised constantly and left their children in the care of the family dog.

There is a third way to explain Disney’s apparent downer on parents.

Might the company – and its output – be a true reflection of our disparate society and the obvious disintegration of the traditional nuclear family?

Or might it be the other way around? Might Disney have played its own part in the demise of family values given that we – and our children – have fallen for this wholesome entertainment for decades?

Have we subconsciously imbibed this airbrushing out of parental figures from its films?

If nothing else, Disney stands accused of failing to honour that most sacred of bonds – that of the mother and the father to their children.

Now, that is hardly family entertainment, is it ?

ARTICLE SOURCE: Daily Mail via Vigilante Citizen

The pyramid and the all-seeing eye. An ancient occult symbol that shows up in religion, churches, Egypt, alchemy, on money, artwork, logos, crop circles, business models, architecture, food, pharma, government and fraternal organizations. Why? This symbol has been a great catalyst for philosophical, religious and political debate. Watch as we trace the pyramid and eye throughout history from Ancient Egypt and Sumer, leading up to the Masons and pop-culture of today. Then, we ask movie goers at the 33rd Gothenburg International Film Festival why this symbol is showing up in Hollywood movies again and again. With all the big film budgets and creative teams available, why the constant use of the pyramid and eye? Let’s explore the origins, possible meaning and purpose behind the pyramid and the eye symbolism, for some of us, a symbol we see everyday.

Is it just more ramping up of our collective unconscious fear ? Why do the PTB keep shock-testing us with weird movies, feigned pandemics and set-up scandals and outrages of the moment ?
Pay very close attention to TV, they ALWAYS warn in plain sight in advance.

Black president
Airline terrorism
Mysterious disappearances
Impending doom

Think of it like this, the Illuminati are like Vampires, they have to trick their way into your homes. They cant just kick in your door its against their code.
When you see these types of movies (especially on TV), something similar is soon to happen. Be on guard this is predictive programming at its peak.
If you doubt me, when this series airs…pay even closer attention to the symbols in each scene.

Does the phrase New World Order bring up a cloudy vision of conspiracy ? Not sure what to think when your hear about the Amero, Trilateral Commission, Bilderberg Group, Skull and Bones, CFR, or Bohemian Grove ?
Well prepare for the red pill, as ParaSpiracy.com presents the most intensive Documentary collection available, which is more than certain to make you question what the Powers that Be would have you otherwise think.

There is a worldwide conspiracy being orchestrated by an extremely powerful and influential group of genetically-related individuals (at least at the highest echelons) which include many of the world’s wealthiest people, top political leaders, and corporate elite, as well as members of the so-called Black Nobility of Europe (dominated by the British Crown) whose goal is to create a One World (fascist) Government, stripped of nationalistic and regional boundaries, that is obedient to their agenda. Their intention is to effect complete and total control over every human being on the planet and to dramatically reduce the world’s population by 5.5 Billion people. While the name New World Order is a term frequently used today when referring to this group, it’s more useful to identify the principal organizations, institutions, and individuals who make up this vast interlocking spiderweb of elite conspirators.

The Illuminati is the oldest term commonly used to refer to the 13 bloodline families (and their offshoots) that make up a major portion of this controlling elite. Most members of the Illuminati are also members in the highest ranks of numerous secretive and occult societies which in many cases extend straight back into the ancient world. The upper levels of the tightly compartmentalized (need-to-know-basis) Illuminati structural pyramid include planning committees and organizations that the public has little or no knowledge of. The upper levels of the Illuminati pyramid include secretive committees with names such as: the Council of 3, the Council of 5, the Council of 7, the Council of 9, the Council of 13, the Council of 33, the Grand Druid Council, the Committee of 300 (also called the “Olympians”) and the Committee of 500 among others.

In 1992, Dr John Coleman published Conspirators’ Hierarchy: The Story of the Committee of 300. With laudable scholarship and meticulous research, Dr Coleman identifies the players and carefully details the Illuminati agenda of worldwide domination and control. On page 161 of the Conspirators Hierarchy, Dr Coleman accurately summarizes the intent and purpose of the Committee of 300 as follows:

“A One World Government and one-unit monetary system, under permanent non-elected hereditary oligarchists who self-select from among their numbers in the form of a feudal system as it was in the Middle Ages. In this One World entity, population will be limited by restrictions on the number of children per family, diseases, wars, famines, until 1 billion people who are useful to the ruling class, in areas which will be strictly and clearly defined, remain as the total world population.

There will be no middle class, only rulers and the servants. All laws will be uniform under a legal system of world courts practicing the same unified code of laws, backed up by a One World Government police force and a One World unified military to enforce laws in all former countries where no national boundaries shall exist. The system will be on the basis of a welfare state; those who are obedient and subservient to the One World Government will be rewarded with the means to live; those who are rebellious will simple be starved to death or be declared outlaws, thus a target for anyone who wishes to kill them. Privately owned firearms or weapons of any kind will be prohibited.”

The sheer magnitude and complex web of deceit surrounding the individuals and organizations involved in this conspiracy is mind boggling, even for the most astute among us. Most people react with disbelief and skepticism towards the topic, unaware that they have been conditioned (brainwashed) to react with skepticism by institutional and media influences that were created by the Mother of All mind control organizations: The Tavistock Institute of Human Relations in London. Author and de-programmer Fritz Springmeier (The Top 13 Illuminati Bloodlines ) says that most people have built in “slides” that short circuit the mind’s critical examination process when it comes to certain sensitive topics. “Slides”, Springmeier reports, is a CIA term for a conditioned type of response which dead ends a person’s thinking and terminates debate or examination of the topic at hand. For example, the mention of the word “conspiracy” often solicits a slide response with many people. (Springmeier has co-authored three books on trauma-based programming which detail how the Illuminati employs highly tuned and extrememly sophisticated Mind Control (MC) training programs that begin the programming process while the intended victim is still within the womb. Mind Control is a much greater problem than most people realize. According to Cisco Wheeler, a former Illuminati mind control programmer, there are 10 million people who have been programmed as mind controlled slaves using trauma-based MC programs with names like Monarch and MK Ultra. The newer, non-trauma, electronic means of MC programming that grew out of the Montauk Project, may include millions more. Al Bielek, who played a principle role in the development of the Montauk Project, said that there likely 10 million victims of Montauk style mind control programming worldwide, the majority located in the USA. He also said that there are covert Montauk Programming ‘Centers’ in every major city in the U.S. )

What most Americans believe to be “Public Opinion” is in reality carefully crafted and scripted propaganda designed to elicit a desired behavioral response from the public. Public opinion polls are really taken with the intent of gauging the public’s acceptance of the Illuminati’s planned programs. A strong showing in the polls tells the Illuminati that the programing is “taking”, while a poor showing tells the NWO manipulators that they have to recast or “tweak” the programming until the desired response is achieved. While the thrust and content of the propaganda is decided at Tavistock, implementation of the propaganda is executed in the United States by well over 200 ‘think tanks’ such as the Rand Corporation and the Brookings Institute which are overseen and directed by the top NWO mind control organization in the United States, the Stanford Research Institute (SRI) in Menlo Park, California.

The NWO global conspirators manifest their agenda through the skillful manipulation of human emotions, especially fear. In the past centuries, they have repeatedly utilized a contrivance that NWO researcher and author David Icke has characterized in his latest book, The Biggest Secret, as Problem, Reaction, and Solution.

The technique is as follows: Illuminati strategists create the Problem- by funding , assembling, and training an “opposition” group to stimulate turmoil in an established political power (sovereign country, region, continent, etc.) that they wish to impinge upon and thus create opposing factions in a conflict that the Illuminati themselves maneuvered into existence. In recent decades, so called “opposition” groups are usually identified in the media as ‘freedom fighters’ or ‘liberators’ (recently the KLA-Kosovo Liberation Army).

At the same time, the leader of the established political power where the conflict is being orchestrated is demonized and, on cue, referred to as ‘another Hitler’ (take your pick: Saddam Hussein, Milosevic, Kadaffi, etc.). The ‘freedom fighters’ are not infrequently assembled from a local criminal element (i.e. KLA, drug traffickers). In the spirit of true Machiavellian deceit, the same NWO strategists are equally involved in covertly arming and advising the leader of the established power as well (the Illuminati always profits from any armed conflict by loaning money, arming, and supplying all parties involved in a war).

The conflict is drawn to the world stage by the controlled media outlets with a barrage of photos and video tape reports of horrific and bloody atrocities suffered by innocent civilians. The cry goes up “Something has to be done!” And That is the desired Reaction (note: the same technique is presently being used to bring about gun control in the United States).

The NWO puppeteers then provide the Solution by sending in UN ‘Peace Keepers’ (Bosnia) or a UN ‘Coalition Force’ (Gulf War) or NATO Bombers and then ground troops (Kosovo). Once installed, the ‘peace keepers’ never leave (Bosnia, Kosovo). The idea is to have NWO controlled ground troops in all major countries or strategic areas where significant resistance to the New World Order takeover is likely to be encountered.

East Timor, Indosnesia. (9/14/99) Virtually , the same strategy used to occupy Kosovo with UN/NATO troops was applied by the NWO manipulators to take military control of East Timor. Once again, the same morality play is trotted out for public consumption: the local evil and demonic Indonesian Army trained militias responsible for the slaughter of innocent civilians following the August 30 vote for Independence (from Indonesian control), must be stopped at all costs. This time, Australia (to keep up the appearance of an ‘international’ humantarian effort) will lead the charge with ‘peacekeeping’ troops. Of course, it didn’t take long for Madeline Albright to announce that US ‘support assets’ will be part of the “UN Peacekeeping Team”. In a front page story in the LA Times (9/13/99), Mike Jendrzejczyk of Human Rights Watch (an Illuminati front group) in Washington DC said that it’s “crucial” that “peacekeepers have the authority to disarm militia forces and any Indonesian soldiers actively working with them”. ]

The local, sovereign military force is either defeated (i.e. Yugoslavia) or, as in the case of the United States itself, replaced by foreign UN “Partnership For Peace” (PFP) troops who take over the jobs of US soldiers who have been sent overseas on ‘peacekeeping’ missions. In addition to being killed in ground conflicts on foreign soil, US military forces will likely be reduced in the next few years through disease induced attrition (i.e. from mandatory Anthrax Vaccinations required of all US military personnel). These vaccinations will, in all probability, eventually produce the symptoms of the so-called Gulf War Illness, which was acquired by a certain percentage of Gulf War soldiers who were given a “special” anthrax vaccine (intended by the Illuminati/CIA as a test run to ascertain how quickly (and fatally) the disease would progress with a substantial population of healthy young men and women).

The corporate portion of the NWO pyramid seems to be dominated by international bankers and the big pharmaceutical cartels, as well as other major multinational corporations. The Royal Family of England, namely Queen Elizabeth II and the House of Windsor, (who are, in fact, descendants of the German arm of European Royalty -the Saxe-Coburg-Gotha family-changed the name to Windsor in 1914 ), are high level players, along with the British oligarchy which controls the upper strata of the Illuminati. The decision making Illuminati nerve centers of this effort are in the London (especially the City of London), Basel Switzerland, and Brussels (NATO headquarters).

The United Nations, along with all the agencies working under the UN umbrella, such as the World Health Organization (WHO), are full time players in this scheme. Similarly, NATO is a military tool of the NWO.

The leaders of all major industrial countries like the United States, England, Germany, Italy, Australia, New Zealand, etc. (E.g. members of the “G7/G8″ ) are active and fully cooperative participants in this conspiracy. In this century, the degree of control exerted by the Illuminati has advanced to the point that only certain hand-picked individuals, who are groomed and selected by the Illuminati are even eligible to become the prime minister or president of countries like England, Germany, or The United States. It didn’t matter whether Bill Clinton or Bob Dole won the Presidency in 1996, the results would have been the same (except maybe for Zipper Gate ). Both men are playing on the same team for the same ball club. Anyone who isn’t a team player is taken out: i.e.President Kennedy, Ali Bhutto (Pakistan) and Aldo Moro (Italy). More recently, Admiral Borda and William Colby were also killed because they were either unwilling to go along with the conspiracy to destroy America, weren’t cooperating in some capacity, or were attempting to expose/ thwart the Takeover agenda.

Most of the major wars, political upheavals, and economic depression/recessions of the past 100 years (and earlier) were carefully planned and instigated by the machinations of these elites. They include The Spanish-American War (1898), World War I and World War II; TheGreat Depression; the Bolshevik Revolution of 1917; the Rise of Nazi Germany; the Korean War; the Vietnam War; the 1989-91″fall” of Soviet Communism, the 1991 Gulf War; and the recent War in Kosovo. Even the French Revolution was an orchestrated into existence by the Barvaian Illuminati and the House of Rothchild.

FEMA
The Crisis of Democracy In America, the Federal Emergency Management Administration (FEMA) was created in 1979 under Presidential Memorandum 32 authored for President Carter by Prof. Samuel P. Huntington, a Harvard professor and former FEMA Advisory Board chairman. Huntington wrote the Seminal Peace for the Trilateral Commission in the mid 70′s, in which he criticized democracy and economic development as outdated ideas. As co-author of another report prepared for the Trilateral Commissiosn, The Crisis of Democracy, Huntington wrote:

“We have come to recognize that there are potential desirable limits to economic growth. There are also potentially desirable limits to the indefinite extension of political democracy. A government which lacks authority will have little ability short of cataclysmic crisis to impose on its people the sacrifices which may be necessary.”

Huntington’s ideas were rewritten into National Security Decision Directive #47 (NSDD47), which was enacted in July 1982 by President Reagan. Treated as a passing footnote by the media, this law identified legitimate areas to be upgraded to maintain national defense, but it also laid the groundwork for Emergency Mobilization Preparedness, a plan under which existing socio/economic regulations or other legal constraints would be waived in the event of a national emergency. This plan was further strengthened in Public Law 101-647, signed by President Bush in November 1990.What it boils down to is this: in the event that the President declares a national emergency, for any reason (from major earthquakes to increased international tensions or economic /financial crisis of any stripe), FEMA can then, at their discretion, implement Executive Orders 10995 through 11005. These Executive Orders permit a takeover by FEMA of local, state, and national governments and the suspension of constitutional guarantees. FEMA will have the authority to exert any sort of control that it deems necessary upon the American public. A trained National Police Force, formally referred to by the name of Multi Jurisdictional Task Force (MJTF), wearing black uniforms and composed of:

1. specially selected US military personnel
2. foreign military units carrying United Nations ID cards, and
3. specially trained existing police groups from larger metropolitan American cities.

These members of the MJTF will implement and enforce martial law under the direction and controlof FEMA. The President and Congress are out of the loop.

FEMA is the Trojan Horse by which the New World Order will implement overt, police-state control over the American populace.

War on Drugs
The “War on Drugs” is a cruel joke. The US government, specifically the CIA, is the biggest ‘drug lord’ on the planet. Drug money is used to pay for innumerable ‘black projects’, including the construction of huge underground cities housing both humans and aliens working with the secret US government.

The instigation of a trumped-up war as a cover for amassing fortunes can be dated back to at least the 12th Century when only a core group of nine members of an Illuminati group called the Knights Templar, the military arm of an Illuminati secret society known as the Priory of Sion, kicked off the The Crusades that lasted for over a century and a half. A rift later developed between the Templars and the Priory of Sion when Jerusalem was lost to Saracen Turks in 1187. In 1307, the king of France, Philippe the Fair (a Merovingian Illuminati), coveted the wealth and was jealous of the Templars’ power. The French king, being a puppet of the Priory of Sion, set out to arrest all the Templars in France on October 13. While many Templars were seized and tortured, including their Grand Master, Jacques de Molay, many other Templars (who had been tipped off) escaped. They eventually resurfaced in Portugal, in Malta (as the Knights of Malta) and later in Scotland as The Scottish Rites of Free Masonry.

The acquisition and consolidation of ever greater wealth, natural resources, total political power, and control over others are the motivating forces which drives the decisions of the Illuminati. The toll in human suffering and the loss of innocent lives are non issues for these individuals, who are aligned with very dark and malevolent 4th dimensional aliens. The dominant group of 4th dimentional malevolent aliens controlling and manipulating the human Iluminati are known as Draconians or Drakos Reptilians. Not all alien reptilians are of a negative spiritual orientation.

Mind Control
Recent revelations from deprogrammed Illuminati (government) mind controlled individuals such as Arizona Wilder (The Biggest Secret), Cisco Wheeler ( The Illuminati Formula to Create an Undetectable Total Mind Control Slave), Cathy O’Brien (Trance Formation of America), and Brice Taylor (Thanks for the Memories) leave NO DOUBT that the upper levels of the Illuminati engage in Satanic rituals which usually include the killing of young children, the drinking of human blood and the consuming of flesh and human organs.

NOTE: When starting any video, press the pause button to allow one minute of uploading to have a non-interrupted viewing. To view all video categories, grab the little circle with your left mouse button and scroll down.

OK so I was bored and decided to create a new site promo video..so BEHOLD !

“The only real danger that exists is man himself. He is the great danger, and we are pitifully unaware of it. We know nothing of man, far too little. His psyche should be studied, because we are the origin of all coming evil”

Kanye West’s “Power” is a short, almost stationary video that manages to tell a profound story in symbolic language. By decoding the occult meaning of the symbols present in this moving tableau, the viewer discovers who really holds the “power” in the world and understands the story of Kanye West’s initiation. We will look at the meaning of those symbols as they appear in the video.

Rapper and producer Kanye West has always found a way to stand out from the crowd. His video Power is no exception. It differs from the MTV norm in many regards, whether you look at the content or the form. The duration of the video, the filming style and the subject matter are quite distinct from today’s typical rap videos as it is short (1:43), filmed in a single shot (compared to the one-shot-per-second standard of music videos) and is very rich in archetypal symbolism.

Director Marco Brambilla sought to depict the concept of power in the form of a “video tableau”, a moving painting that slowly reveals itself to the viewer with a continuous camera movement. The director seem to have perfected this technique in his previous creation, Civilization, a video mural created for the new Standard Hotel in New-York city. The symbolism present there is simply overwhelming. Here it is:

For Power, Brambilla went for a neo-classic aesthetic, but still created a piece full of symbolic and cultural references. As it was the case for paintings of the neo-classic era, each object, each symbol and each detail in the video conveys an important meaning, a meaning that is needed understand the entire story. As we will see, many symbols in the video have a deep occult meaning and many of them point to Freemasonry and Mystery schools. By doing so, the director clearly states what type of power is being presented in the video. So we will look at the meaning of the symbols displayed in the video as they appear in the shot. If you haven’t seen it, here it is:

Symbols of the Video

The video starts off with a close-up of Kanye West with glow-in-the-dark eyes, as if he was “illuminated” from within. He stands between an infinite row of Ionic columns, which represent “wisdom” in Masonic symbolism.

Kanye with illuminated eyes between rows of twin pillars

Two Pillars

As regular readers of this site already know, the occult meaning of the twin pillars is ancient, profound and present in the symbolism of almost all mystery schools of History. There are many layers of interpretation attributed to the two columns, but one constant is always present: The pillars represent the entrance – the gateway – to the world of the initiate. Behind the columns can be found the key to the Mysteries and, consequently, the source of true power. This concept has been used for in many cultures and schools of thought.

The two columns called the “Pillars of Hercules” in Ancient Greece and stood at the gateway to the sphere of the enlightened

“The city of the philosophic elect rises from the highest mountain peak of the earth, and here the gods of the wise dwell together in everlasting felicity. In the foreground are the symbolic pillars of Hercules which appear on the title page of Bacon’s Novum Organum, and between them runs the path which leads upward from the uncertainties of earth to that perfect order which is established in the sphere of the enlightened. “
- Manly P. Hall

Pillars of Hercules in Francis Bacon’s “New Atlantis” as a gateway to the New World

Two pillars leading to Jacob’s Ladder in this Masonic tracing board

Masonic initiate standing between the twin pillars as the third pillar, in the same fashion as Kanye West in the video.

In Power, Kanye is standing at the mouth of the gateway to the “sphere of the enlightened,” right at the border of the corrupt and decadent material world. So, right from the start of the video, the director reveals the true nature of power in this world: It is not your democratically elected officials, but those who consider themselves to be behind those pillars. One of the most significant lines of the song is

“In this white man’s world, we the ones chosen”

Does Kanye’s “white man’s world” refer to the hidden rulers, the Illuminati, who are hidden behind those pillars? Did they choose Kanye West and give him Power by permitting him to become an influential figure in the entertainment industry? Was he chosen to become one of them? The next symbol might shed some light into this.

Horus

Horus pendant on Kanye’s chain

The next thing that catches the viewer’s eye is most probably that gigantic chain with Horus’ head as a pendant. Horus is an ancient Egyptian deity that has an extreme importance in occult mysteries. Considered to be the Sky god, he is more often represented with the symbol of a single eye. The Eye of Horus is an ancient Egyptian symbol of protection and royal power from deities, in this case from Horus or Ra.

“Horus, the son of Osiris and Isis, was called “Horus who rules with two eyes.” His right eye was white representing the sun while his left eye was black representing the moon. According to Egyptian legend Horus lost his left eye during a fight with his murderous uncle, Seth, to revenged his father’s death. Seth tore out his nephew’s eye but lost the fight because the assembly of the gods declared Horus the victor. The eye was reassembled by the magic of Thoth. Then Horus gave the eye to Osiris who experienced rebirth in the underworld.”
– Jordan Michael, Encyclopedia of Gods

Horus, god of the sky

The importance of the “one-eye” in occult symbolism has been highlighted many articles on The Vigilant Citizen. The All-Seeing Eye found on the Great Seal of the United States and many other occult symbols originate from the Eye of Horus.

The Eye of Horus as depicted by the Golden Dawn Mystery School

The symbolism of Horus is especially of great importance in Freemasonry, as the path of an initiate through the Masonic degrees is described as the process by which the Eye of Horus is opened.

So Kanye stands at the gateway between the corrupt world of the profane and the exclusive world of the illuminated, wearing a Horus pendant, an unmistakable symbols of the Mysteries. One might say: “Well maybe Kanye just likes Egyptian things.” Maybe so, but in the context of this video, where all details are important and extremely meaningful, Horus becomes another piece of this symbolic puzzle.

Horned Girls

The entrance of the gateway of pillars is guarded by two horned albino girls holding a staff. Their features are very reminiscent of depictions Isis and Hathor goddesses of ancient Egypt, another allusion to Egyptian magic.

Kanye standing between two horned female figures

Isis and Hathor crowning Queen Nefertari. Both goddesses were depicted with bovine horns on their heads.

Isis was the mother of Horus (discussed above) and was the goddess of motherhood, nature and magic. Hathor was also considered as a maternal deity, and also being the goddess of music, dance and fertility. Both Isis and Hathor were known to welcome and protect the dead during their journey to the afterlife, a concept that is particularly interesting in the context of the video.

Hathor holding a sceptre with Pharaoh Ramses II

“The goddess (Hathor) [...] manifests two aspects of her divine power: first of all, she participates in the afterlife rite of passage, by means of which the deceased attains eternal life, and, second, she demonstrates her special connection to the Egyptian king. Hathor is rightly called a royal goddess, and in this role she is linked in various ways to the life of the pharaoh. Often the pharaoh would call himself the oldest son of Hathor.”
- Archive for Research in Archetypal Symbolism

Kanye, perhaps symbolizing the Pharaoh, is standing at the gateway to eternal wisdom, about to be executed/assassinated/sacrificed under the watchful eyes of Hathor, the “royal goddess.” Are the goddesses welcoming Kanye “behind the veil,” protecting him in this rite of passage to immortality? In occult circles, new candidates must symbolically die and be reborn to complete their initiation process. Is Kanye being killed an allegory for his initiation ?

Sword of Damocles

Sword hanging above Kanye West’s head

While doing some preliminary research on this video, I came across an article on MTV.com titled Kanye West’s ‘Power’ Video: A Cultural Cheat Sheet. Here’s what it says about the sword hanging above his head:

“Dragonlance: An image of a sword descending into a crown hovers over Kanye’s head, bringing to mind Volume Two of Douglas Niles’ series “The Crown and the Sword: The Rise of Solamnia,” in which Sir Jaymes Markham commands the orders of the Rose, Sword and Crown.”
– Kanye West’s ‘Power’ Video: A Cultural Cheat Sheet, MTV.com

Really ? The director of this neo-classical themed video, was inspired by an obscure fantasy novel released in, like, 2006 ? Seriously ? Good job, MTV, in keeping our youth clueless. The descending sword is more probably a reference to the Sword of Damocles, a pretty widely known legend.

Wenceslas Hollar’s depiction of the Sword of Damocles

“The Damocles of the anecdote was an obsequious courtier in the court of Dionysius II of Syracuse, a fourth century BC tyrant of Syracuse. Damocles exclaimed that, as a great man of power and authority, Dionysius was truly fortunate. Dionysius offered to switch places with him for a day, so he could taste first hand that fortune. In the evening a banquet was held where Damocles very much enjoyed being waited upon like a king. Only at the end of the meal did he look up and notice a sharpened sword hanging directly above his head by a single horse-hair. Immediately, he lost all taste for the fine foods and beautiful girls and asked leave of the tyrant, saying he no longer wanted to be so fortunate.

Dionysius had successfully conveyed a sense of the constant fear in which the great man lives. Cicero uses this story as the last in a series of contrasting examples for reaching the conclusion he had been moving towards in this fifth Disputation, in which the theme is that virtue is sufficient for living a happy life. Cicero asks “Does not Dionysius seem to have made it sufficiently clear that there can be nothing happy for the person over whom some fear always looms?”

The tale of the Sword epitomizes the constant danger faced by those in positions of power. Kanye stands there, in a state of impending doom, knowing he can be executed. Right after we see the sword of Damocles, a figure appears holding a dagger and attempting to stab him. The assassination will not happen by dagger, however, as two other figures leap out of nowhere holding swords to accomplish the “Killing of the King.”

Killing of the King – The Initiation

Ritual initiation represented in a display of geometry and symmetry

At the ending of the video, the decadent women and the dagger-holding assassins all disappear as two swords are about to hit him. Are we sacrificing the King?

The concept of regicide is reflected in the single’s cover art. It depicts Kanye’s severed, crowned head with a sword firmly jammed into it. Apparently Kanye was king and he got killed. Is this a symbol for a Masonic ritual? Note the stone on which Kanye’s head is placed. Is it the “perfect ashlar” of the Masons that represents the state of a perfected initiate ?

Covert art of Power portraying the killing of Kanye West as a king. Is this a reference to a Masonic ritual? Is Kanye’s severed head placed on a “perfect ashlar”, the symbol of the accomplished Mason ?

A perfect ashlar in a Masonic lodge. In Masonic symbolism, the candidates start their journeys as allegorical “rough ashlars” and, through knowledge and wisdom, smooth out their edges in order to become a perfect ashlar.

Some occult researchers have stated that the “Killing of the King” is the name of a Masonic rite of passage to obtain the 33rd degree (see “King Kill 33? by James Shelby Downard & Michael A. Hoffman II). Semi-interesting sidenote: King Kill 33 is also the name of a Marilyn Mason song, with rather interesting lyrics. Another sidenote: Researchers have reported that the Killing of the King rites often happens in public, as more witnesses give more power to the ritual, hence … JFK. (A completely crazy theory? DYOR … do your own research!)

Back to Kanye and his standing … the two swords flying towards him never actually touch him but instead form a triangular shape above his head, possibly hinting to a “symbolic” killing and not an actual one. Notice the position of the crown above Kanye’s head. The combination of those elements form an interesting image.

Masonic Square and Compass

In Conclusion

To sum up the the video, Kanye stands at the border between Masonic wisdom and the decadence of the mundane life, represented by lustful women. Kanye says “goodbye cruel world / I see you in the morning“, as he has been “chosen” to take part in an initiation process that is metaphorically described as a “long night,” followed by a glorious awakening as a new being. In order to accomplish this, Kanye needs to kill his old self and be ritualistically reborn. Once this is done, true power is within the grasp of the candidate.

This “moving painting” is definitely a multi-layered artwork, with many levels of interpretation: the first level is a commentary on power using timeless symbols taken from ancient art; the second level describes a Masonic initiation with a ritual murder and rebirth.

This video lasts a mere minute and forty-three seconds but it manages to give the viewers plenty to ponder and many symbols to decode. Looking at its meaning from a pop culture point of view, it is interesting to note that this short-film, intended to be viewed by the general public (especially young people), describes the concept of power with overt Masonic symbolism and occult references. This causes the uninformed viewers to unconsciously associate those symbols with the concept of Power, while “those in the know” get the “insider’s wink” sent by this video. Power ultimately becomes another piece in the on-going process called the “Revelation of the Method,” where the true source of power gradually and subliminally reveals itself to the world and occult rituals take place right in front of the public’s eyes.

How long before the complete revelation?

“The clock’s tickin’ / I just count the hours”

ARTICLE SOURCE: Vigilant Citizen.com

Profiles of computer users ‘bought and sold on stock-market-like exchanges’

A class-action lawsuit filed in a federal court last week alleges that Disney and other large corporations spied on visitors to their Web sites using “Flash cookies” installed on users’ browsers.

The lawsuit, filed in a US District Court in California on behalf of a group of parents and their children, alleges that Clearpsring, a company contracted by Disney, Warner Bros. Records, Playlist.com and other Web site operators, used its AddThis Web page tool to install “Flash cookies” in computer browsers which would then track individual computer users.

According to a report at CNET, the lawsuit states these cookies can’t be erased using the usual methods of erasing browser history because they are built on Flash technology. Additionally, SecPoint.com reports that these Flash cookies can even un-delete, or “re-spawn,” regular cookies that were erased by the user.

Once installed, these small pieces of software tracked users “across numerous Web sites, even spotting and tracking users when they accessed the Web from different computers, at home and at work,” the lawsuit alleges.
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“The data could reveal details about a person’s financial situation, sexual preference, name, home, and e-mail addresses and telephone numbers,” reports Greg Sandoval at CNET. “Perhaps one of the most disturbing charges that plaintiffs make is that health information could also be acquired by these companies.”

The suit was filed by the Law Office of Joseph Malley — the same law firm that last month launched another suit, that one against Clearspring competitor Quantcast, which works with ABC and NBC, among other companies. That lawsuit made similar allegations against Quantcast, saying the company used Flash cookies to invade users’ privacy.

An investigation by the Wall Street Journal, published last month, found that about six percent of the cookies installed by major Web sites on people’s computers were un-deletable Flash cookies. That information was then used to create detailed profiles of computer users.

“These profiles of individuals, constantly refreshed, are bought and sold on stock-market-like exchanges that have sprung up in the past 18 months,” WSJ reported.

The investigation concluded that “the tracking of consumers has grown both far more pervasive and far more intrusive than is realized by all but a handful of people in the vanguard of the industry.”

A study from the University of California at Berkeley, published last year, found that, of its sample of major Web sites, more than half used Flash technology to track users. The study even identified government Web sites, such as WhiteHouse.gov, as using questionable tracking methods.

“Earlier litigation has confirmed the right of sites to place cookies, but certain tracking behaviors are still subject to legal questions,” the WSJ reports.

The plaintiffs in the Clearspring suit are petitioning to have their lawsuit classified as a class-action. They are seeking unspecified damages, CNET reports.

ARTICLE SOURCE: Raw Story.com

Well Hollywood is up to its old tricks with a new Alien Invasion predictive programming flick called SKYLINE. From the looks of the trailer it appears to be entirely CGI (as most hoaxed videos are also). But what I find most important is the release date, 11/12/10 or reversed 10/11/12

The premise of Skyline is simple. As the trailer and a preview show us, a group of young, mildly douchey friends are spending the weekend partying at a swanky hotel on the outskirts of Los Angeles. After a night of revelry, they are awakened at 4:27 AM by strange, booming noises. They head outside to see strange blue lights vaporizing downtown Los Angeles. When two of the characters go out to the roof to investigate, they see UFOs descend from the clouds, and other people start getting sucked off the rooftops into the ships.

With that, the race is on to survive and flee the city, all while trying to avoid getting sucked into a UFO, dodge giant prowling aliens, and escape the mysterious blue lights that absolutely wreak havoc on people’s skin. We don’t know just how massive the attack is – whether it’s worldwide or centered on Los Angeles – I have knowledge that there will be giant aerial battles between the military and the UFOs, also some scenes on an even bigger scale.

This is the Hollywood predictive programming machine at its worst.

You cannot use the constitution to defend yourself because you are not a party to it. The ‘United States’ is a corporation, not a land mass. Britain is owned by the Vatican. The Pope claims to own the entire planet. This are just some of facts presented here in this short 6 minute video. So basically US government is not for you but for the corporation itself….